claire ellen paquet

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	<title>claire ellen paquet</title>
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	<description>claire ellen paquet</description>
	<pubDate>Thu, 02 Apr 2020 17:51:52 +0000</pubDate>
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		<title>SAUT-DE-LOUP</title>
				
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		<pubDate>Thu, 02 Apr 2020 17:51:52 +0000</pubDate>

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Photos : Eliane Excoffier, 2020

Videos featuring Zinnia Naqvi, Elizabeth Johnson, and Etta Sandry</description>
		
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		<title>CHAPTER VII</title>
				
		<link>https://claireellenpaquet.com/CHAPTER-VII</link>

		<pubDate>Fri, 19 Oct 2018 22:19:07 +0000</pubDate>

		<dc:creator>claire ellen paquet</dc:creator>

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Chapter VII, 2017
Paper, tarred twine, excerpt from Charles Darwin’s The Expression of the Emotions in Man and Animals (1872)

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Words can roll (off the tongue), be drenched (in meaning), weave (in and out of legibility), or be cut (and pasted). Text is material capable of encapsulating and transmitting feeling. Chapter VII repurposes existing text, treating it as an object to be recast in a new material form. This object-text creates an opportunity for conversation with the viewer’s body and alludes to the (in)discernibility of negative emotions.

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 Photos : Eliane Excoffier, 2017

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Photos : Paul Litherland/Studio Lux. Courtesy of the Leonard &#38;amp; Bina Ellen Art Gallery, Concordia University, Montréal, 2018</description>
		
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		<title>SAFEHOUSE</title>
				
		<link>https://claireellenpaquet.com/SAFEHOUSE</link>

		<pubDate>Wed, 15 May 2019 18:56:39 +0000</pubDate>

		<dc:creator>claire ellen paquet</dc:creator>

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Safehouse, 2016-18

When we are at odds with our home we are in many ways at odds with our own selves. The home is a macrocosm of the human body and a microcosm of the outside world; what happens when we find ourselves in opposition to that which is supposed to house and protect us? Homi Bahba described this feeling as the “unhomely”, and the significance of his term resonates in an era where “home” is often a contested site.

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In the fall of 2016, I made Safehouse in an effort to cope. Of late, I am both much safer and more stable than I was when I made the dollhouse. It currently lives in my apartment, unhomed from the circumstances that gave it meaning. With the help of Phil Mercier I wanted to revisit the house, reanimating it within my current home, haunting it with new light.

Many thanks to Phil, https://philmercier.ca

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		<title>NO TALKING</title>
				
		<link>https://claireellenpaquet.com/NO-TALKING</link>

		<pubDate>Fri, 19 Oct 2018 22:50:46 +0000</pubDate>

		<dc:creator>claire ellen paquet</dc:creator>

		<guid isPermaLink="true">https://claireellenpaquet.com/NO-TALKING</guid>

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04/2018 // Photos : Alexis Bellavance


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		<title>about</title>
				
		<link>https://claireellenpaquet.com/about</link>

		<pubDate>Fri, 19 Oct 2018 22:41:48 +0000</pubDate>

		<dc:creator>claire ellen paquet</dc:creator>

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		<description>Claire Ellen Paquet is an artist based in Tiohtià:ke/Montreal.&#38;nbsp;She holds a BFA from Mount Allison University in Sackville, New Brunswick and an MFA in Fibres &#38;amp; Material Practices from Concordia University.Contact: cellenpaquet[at]gmail.com</description>
		
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		<title>Home Image Scroll</title>
				
		<link>https://claireellenpaquet.com/Home-Image-Scroll</link>

		<pubDate>Fri, 19 Oct 2018 22:06:05 +0000</pubDate>

		<dc:creator>claire ellen paquet</dc:creator>

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